picture from here.
Just out of curiosity: Is the shortened final season of 30 Rock coming back in the fall, or as a mid-season thing again?
Last week it was the third three episodes of the current season of Doctor Who, with a planet called America and the moon landing and Richard Nixon and aliens you completely forget about once you turn your back and then pirates and alien medical Sirens and this week it’s dead spaceship graveyards and the creepy disembodied voice of Michael Sheen and a mad woman who’s bigger on the inside and who might just be “The Doctor’s Wife” and also the guy who brought you The Sandman is writing the words…
From the internet:
The difference between the US version of Skins and the UK version of Skins.
How to use eHOW to turn yourself into a comedic force to be reckoned with.
“Brooklyn style, bitch!”
Bond is back.
by Kelly Reemtsen, from here.
The Day The Universe Came and other incredibly amazing and erotic pulp science fiction book covers.
The afterlife of David Foster Wallace.
What really happened to Endor when they ganked the Death Star?
Twitter’s response to the WikiLeaks subpoena should be the industry standard.
FYI: The Prisoner is probably still my favorite show ever.
Meg Ryan and John (Cougar!) Mellencamp are dating and that’s a little too much for me to handle this early in the new year.
Kepler spacecraft finds hot, distant planet.
An infographic history of the Batmobile.
via Boing Boing.
Mona Lisa landscape mystery finally “solved.”
People can build bombs out of anything. Including vibrators.
The Counterforce post with the best pictures.
Myspace cuts half it’s staff in half.
Here’s 12 ways to spot a cheat.
Literal New Yorker cartoon captions.
What would Jesus do about sex trafficking?
There’s going to be another Neil LaBute movie, this time starring Brendan Fraser.
Did Kanye steal Dr. Dog’s music video?
Also, Kanye got his album cover banned on purpose. Sigh.
Atmosphere’s self-cleaning capacity surprisingly stable.
I really like this mash up between Doctor Who and Dr. Seuss.
Ghostbusters meets Inception.
The eurotrash and their monetary destiny.
The ALA’s Youth Media Award winners.
Grant Morrison’s 2002 performance piece for Steve Cook.
Charlize Theron to star in Ridley Scott’s Alien prequel?
Visualizing the deletion process on Wikipedia.
Interesting photos: The photo that Anna Wintour famously axed from Vogue and Wastelands by Dan Dubowitz.
Climate change to last a millennium. Deal with it.
NASA called 2012 the most flawed sci fi film ever.
Transcending the human, DIY style.
Four new/upcoming movies presented with practically no comment…
1. Hall Pass.
Coming out in early 2011, directed by the Farrelly brothers (Jesus, remember them?), and starring Owen Wilson, SNL’s Jason Sudeikis, Jenna Fischer, Christina Applegate, Alyssa Milano, Vanessa Angel, Joy Behar, and Stephen Merchant. Your new ridiculous phrase: “monogamy time out.” Brilliant.
2. The appropriately titled Friends With Benefits.
Due to be released in the middle of next year and starring Justin Timberlake, Mila Kunis, Emma Stone (one of the current new It Girls), Woody Harrelson, and Patricia Clarkson.
Oh, and I just noticed that the red band trailer is now online.
Not to be confused with the mid-season replacement TV show starring Ryan Hansen from Party Down.
3. The Freebie.
The only non “romantic comedy” in the traditional sense on this list, but something from the mumblecore school, starring Dax Shepard and writer/director Katie Aselton. You can find a short scene from the film here.
Directed by Ivan Reitman and starring Natalie Portman and Ashton Kutcher. Talk about beauty and the I don’t give a shit about watching this guy. Also featuring Olivia Thirlby, Greta Gerwig, Cary Elwes, Mindy Kaling, and Ludacris.
Is this a hip and interesting trend in movies, one that you are desperate to see?
And, Hollywood, if you’re out there, I totally have an idea for a screenplay combining your love of hip and naughty things that young people do such as FWBing that also combines your other favorite topics of over-saturation (example: time travel and vampires). Just give me a call and write me a check and we’ll print up some money.
Since there’s been a few posts on TV this past few week, I thought I’d throw out a few quick thoughts on a handful of TV shows. Nothing too in depth, nothing too glamorous, and possibly nothing too well thought out. But, around here, what else is new?
Those shows being…
The Office. The last episode with Timothy Olyphant was not bad, but not particularly great. The previous episode, the much talked about one featuring the return of all of Michael’s exes… not so great. And the few before that, about the same. As even Benjamin Light has mentioned to me the past few times we’ve talked about it, you can really feel the show going through the motions this year. Also, during the summer there was a lot chatter and speculation online about who would replace Steve Carrell when he leaves the show at the end of this season but, honestly, sadly, horribly, heinously, overly dramatically, doesn’t it seem like they’re trying to set up Andy as the new boss-type character?
I can’t think of anything I’d dislike more than that. Andy really feels like a character who should’ve been around a season or two and then maybe have gone bye bye. Also, let’s get serious here: Andy and Ellie Kemper and the dude from Sabre have to make the least attractive love triangle on television.
I hate to say it, but I’ve really checked on out on this show after Pam and Jim’s wedding. Maybe that would’ve been the fine conclusion this show will potentially have to work hard for (and would mirror the end of the original British version interestingly). Also, for a “documentary” about the life of people in an office, when does this “documentary” actually air?
30 Rock. This show is still going strong. Not every episode is a home run, but it is consecutively strong. As long as you have Tina Fey’s Liz Lemon, Alec Baldwin’s Jack Donaghy, and Tracy Morgan’s Tracy Jordan, nothing can harm you. What this show does with it’s guest stars is frequently brilliant (Jon Hamm, Matt Damon, even Kelsey Grammar in the most recent episode) and there’s a joy to the dialogue and it’s one liners and non sequiturs that is intoxicating. I thought that the live episode was a good deal smarter than it was funny, but I applaud this show for taking it there. And I found it fascinating that the last episode dealt with Liz Lemon’s long simmering “fear” or general uncomfortableness with sex.
Community. I wasn’t so much a fan of the last episode of this show, and I kind of feel like it maybe tackled people’s biggest two gripes with the show itself: Abed (all things “meta”) and Chevy Chase. And the episode prior to that certainly paled in comparison to what many would consider the show’s strongest outing: the paintball episode from season 1.
All that said, I honestly feel that this show and Modern Family were the best new comedies of last season and I don’t see anything that feels like long term signs of that changing anytime soon.
Things I would change about this show though: 1) Get rid of Chevy Chase, who’s character is not funny and is lazily portrayed. You just get the sense that Chase is bored or perhaps unhappy, and maybe that unhappiness has something to do with watching Joel McHale doing a variation of the Chevy Chase persona from the 80s, just better? I’d watch a Joel McHale iteration of Fletch, sure.
2) Keep characters like Ken Jeong’s Senor Chang to a minimum, and the same with some of Abed’s “We all live in a TV show” stuff. I think some of the references catch with the smart folks in the audience, and some literally watch fire with the simple minded, but as Shirley said recently, I think far too much of it doesn’t play in Poughkeepsie, and bores the rest of us. The only thing worse than being not funny is trying too hard. Keep Abed’s character simple and utilize more gags like the Abed in the background/pregnancy bit in the background a few weeks ago:
3) More characters. For the background or whatever. Along with 30 Rock, I feel like this is the show that has the best chance of inheriting what there is of the Arrested Development mantle, and yet, the vision of Community almost feels too limited in some regards. Maybe give someone like Star Burns a little break, okay? Also, the character of the dean? We get it. It was funnier when it was called Tobias Fünke.
Running Wilde. Sorry, Mitch Hurwitz and Will Arnett, somehow even you shall not be inheriting the throne that once was Arrested Development, I fear. Kudos to you fine chaps though for bringing Felicity along for the ride.
The Event. I watched four episodes of this show and came to the same realization I had before the show even started and was just a much hyped but vaguely explained situation coming soon on NBC: I could not give two halves of a shit about whatever the fuck “the event” ends up being.
We complain about the meta-ness of Community and it amazes how we don’t talk about how not an event the actual release of The Event is. “Lost meets 24,” huh? Go fuck yourself, NBC. This show could do with a little more Lost and a hell of a lot less 24. Talk about a textbook example of not getting what made both of those shows goddamn brilliant at their heights. This is the briefest I shall ever be on this blog: Character.
Also… casting. Jason Ritter? Give me a fucking break. Jason Ritter is the guy who should be getting coffee for the stand in for your lead actor.
Lost. This goes without saying: You are missed.
Also: this. Interesting.
Hawaii 5-0. Go fuck yourself if you like this show. I watched two episodes that would’ve had the exact same effect on me if I had seen them either in or out of a coma. Also, Hollywood: Stop trying to make Alex O’Loughlin happen.
Modern Family. As I said before, this is a strong comedy here. It shouldn’t work as well as it does, but it does. I don’t think that, once you get what’s going on with it, that it’ll ever blow you away, but it stays consistently funny and watchable and every single character is endearing. And it will hopefully stay that.
Smallville. This show is still on. Did you know that? People are still watching this! It scares me, that thought. (Almost as much as the notion that people were ever watching it.)(I mean, obviously I’m a comic book nerd here, but this show? Come on. Shit is shit, right?) Who are you people? Who are you? It terrifies me that there’s an audience for this show still and they’re providing market research to people in suits who can’t buy a clue from the general public. (Though I still like Erica Durance.)
True Blood. This past season had a lot of ups and a lot of downs, as usual, but the finale was incredibly boring. I guess it was a bit of a serious dramatic let down and also not compelling at all. But, though it may be an uneven supernatural soap opera, it’s amazing how much more it appeals to me than some fucking police procedural on CBS.
Party Down. I miss you. Come back? Please? Was it something I said? Was it the fact that I don’t subscribe to Starz and watched you solely via megavideo and just that once via itunes? Is it Starz? If it is, you don’t have to say anything. Just nod your head and blink. Do that and I will stab a stake through Starz like the life sucking vampire monster that it is.
Parks & Recreation. Is this show still on? Coming back at midseason? That’s a shame, but not shocking, I guess. This show is not bad, not bad at all, but it lacks… something. Sadly, you still have to kind of compare it to The Office in some way. This is a show where you like all the characters/actors involved, but I don’t feel anything for them. They seem like they’re swimming twice as hard for maybe half the results. Except for Ron Swanson. Brilliant televisionary character and I’m so thankful that they keep him to the minimum. I guess I’m glad that this is where Adam Scott landed after Party Down, with a paying gig, but I’d stick this show’s head in a full bath tub until it stopped kicking and squirming if that’d bring back Party Down. No joke.
The Walking Dead. This show hasn’t even aired yet, but I don’t care. I’ve read the comic book so that gives me the right to voice an internet opinion! Ugh.
That said, within the comic is all the things that would make for a good, solid cable TV drama, especially on par with a level of quality and intrigue that AMC seems to be trying to covet (the snoozefest that is Rubicon aside), but I hope that the producers of the show don’t stick too strictly to the comic. It’s not… great. There, I said it. It’s not that great. It’s good, but it’s true to it’s story and incredibly bleak. It picks up where your average zombie movie ends, with characters having to survive in this world that’s swarming with the undead and it’s something for fans of suffering, for sure. The TV show hasn’t wowed me with the actors they’ve cast, and that sizzle reel didn’t get me hard, and it doesn’t help that Frank Darabont hasn’t brought his A game to anything in a long, long while (though he’s thankfully finally gotten out from behind Stephen King’s skirt). But, despite all of that, I’d like to be pleasantly surprised.
Glee. I saw the pilot not this last summer but the summer before when they showed it months and months before the show’s actual premiere and I thought, “Eh.” Never saw a single episode throughout the rest of the first season because it was just not the show for me and somehow it become this popular media juggernaut. Then I saw two episodes just a few weeks ago from this current season. Not bad. Not all that interesting, but intriguing from a distance. But I do believe there’s credence to the “Three Glee” theory.
But, I have to say that this GQ controversy is ludicrous. Who are you people who are upset about this nonsense? Apparently you’ve never see this show or it’s content or just ignored the Rolling Stone cover from a few months ago altogether. Way to go, Dianna Agron, you are mystifying both onscreen and off. Some people should find bigger things to get super excited and bothered about. Like Taylor Momsen. Speaking of which…
Gossip Girl. Is this still on TV?
House. House is a show that, like Glee, is quality but that I wouldn’t normally watch because, well, I’m just not going to watch a weekly medical procedural show. Or, that’s why it was that I used to not watch House. But then I started watching it semi-weekly (Thank God Hulu is still free), because it’s well written and I saw a bunch of episodes last season by accident and because House and Cuddy are dating now and, well, just because. Also, I like Sherlock Holmes pastiches. Speaking of which…
Steven Moffat’s (and Mark Gatiss’) Sherlock. The show debuted in England in the past year and is fucking brilliant. This is what I would like all TV to aspire to as far as intellectual quality. Eventually this will come to BBC America and you’re a goddamn fool to miss it. The man with the unfortunate name of Benedict Cumberbatch is shocking and mesmerizing as a modern day take on the classic detective and Martin Freeman (“Tim,” the original Jim in the original British version of The Office) is in fine form as his sidekick, John Watson. The little nods to the classic stories are enjoyable and where the show deviates is even better. My only real quibble with the 21st century updates is that rather than just chronicling their exploits in a conventional manner, Watson now blogs about the cases he and Sherlock engage in. Sigh.
The first season was three episodes long and the pilot is amazing (written by Moffat), the second episode is fine, but the third episode (written by Gattis) is immaculate. And what a fucking a cliffhanger.
Freeman was recently cast as The Hobbit after months of everyone knowing he pretty much had the role locked down, but you may have noticed the internet screaming out that the two movies better not stop production on a second series of Sherlock and quite right so.
Doctor Who. This Christmas special and new season (next Easter, sadly) can’t come quickly enough. I don’t know how I feel about this “split” season. I guess it’s fine, though I’m not crazy about them calling it two different seasons, rather than just one split with a hiatus. It sounds like a fancy way of getting out of contracts quicker, frankly. They recently cast Mark Shephard in a big role, sigh, presumably the two part season opener set in America and featuring Richard Nixon? Cool. I guess. Except for the Mark Shephard bit. That gravely voiced motherfucker hasn’t been in enough big name sci fi shows? Sigh. But, like last season, paparazzi photos have informed us that River Song will be in that episode(s). Great.
Now the theorizing can really begin as to who or what River Song actually is. A future version of the Doctor? Lame. The Doctor’s mother? Lamer. Amy Pond in the future in some form? Lame and tired as far as guesswork goes. Just the Doctor’s amazing wife/partner from a future point as we’ve already been lead to believe? Perfect. But let’s get crazy here: A future version of the Master or the Rani? Hmmm?
Mad Men. Nothing to add here.
It’s Always Sunny In Philadelphia. For what it is, this show is perfect. Especially once Danny Devito joined the cast a few years ago. I’m so glad that we have a mindset like this available to us. And, if you think about it, since we mentioned the inheritance of legacies earlier in this post, this is today’s version of Seinfeld.
Fringe. Man… Whatever. Benjamin Light and I add a long conversation about this show about a week ago because we’re fucking dorks, I guess. Maybe, if you’re nice to him, he’ll do a write up about his thoughts on that show and we’ll have a nice discussion on what we dislike about that show and what we would change (almost everything). And, if anything comes to us, maybe we’ll talk about what we like about the show?
The Venture Bros. As always, a strong, smart, funny show, but I’m trying not to use the words “treading water” here. I keep wanting this show to move forward into telling a larger story, and just when I think it’s going to reveal itself to be doing that… it pulls back altogether. At first it was like, “Ha ha, we are playing with your expectations,” but now it’s just like they’re treading water. Damn. I said it. It’s funny that the last episode was all about Doctor Venture’s brain being hacked and the Monarch trying to force him to commit suicide since I feel like that’s the only logical conclusion to the show.
South Park. I haven’t seen an actual episode of this show in fucking forever. I miss it. Conrad Noir tells me that I really need to see not this past week’s, but the one before, the one pertaining to Jersey Shore. “The Jersey problem,” is how he referred to it. I haven’t seen this last one, the Inception one, either. But now I see that Matt and Trey are in some shit for plagarizing a College Humor video. Jesus. I’m sorry, no, it’s “borrowing.” I get the gist of Matt and Trey’s “take” on Inception, which is a good example of how I can like this show and still pretty much never agree with their take on anything. I don’t think anyone is claiming that Inception is cool because it’s complex, are they? Also, how complex was Inception? Was it really that hard for anyone to follow? I mean… Really?
Louis. I like Louis C.K. I like him a lot. I haven’t loved this show, not like I’ve wanted to, though the Ricky Gervais cameo was a lot of fun. But I’m just glad that Louis C.K. has a show on TV that I don’t think has been canceled yet. I can’t wait to watch it progress. And I think that is the underlining factor that too many showrunners on television don’t take into account: Shows should progress. There’s a long game at work. Consider your package as a whole.
Eastbound & Down. I’ve only seen the first episode of this current season so far, so I can’t say much, but this show defies your average reviewing format. You’re either in or out. Anything else and maybe you should just fuck off. Me: thumbs up.
Bored To Death. Talk about your meta end to a blog post… I’ve only seen about five episodes from the first season of this show. They were meh, honestly. I see the promise of the show picking up and getting interesting, but I’ll get there at some point. But, during some of those first few episodes, I just felt like maybe I wanted to go read an old detective novel and drink some wine instead.
Are “masters of the universe” born or bred?
Weezer offered $10 million to split up.
Natalie Portman to offer “gratuitous nudity” in what is not but certainly sounds like it would be a sequel to Pineapple Express.
(But that still doesn’t tell us who she’s fucking these days, does it?)
The musical farewell to Joss Whedon’s Dollhouse.
Angelina Jolie’s Bosnian rape romance.
Making sense of The Shallows.
Aaron Sorkin responds to a blog commenter about The Social Network‘s misogyny.
Best Coast and Deerhoof to guest on the new Go! Team album.
Who is the biggest drunk on Mad Men?
Look at this fucking article about hipsters.
“A man sets out to draw the world. As the years go by, he peoples a space with images of provinces, kingdoms, mountains, bays, ships, islands, fishes, rooms, instruments, stars, horses, and individuals. A short time before he dies, he discovers that the patient labyrinth of lines traces the lineaments of his own face.”
-Jorge Luis Borges, from Dreamtigers.
The Soviets’ secret, failed moon program.
Those lovable scamps in ICP are actually hardcore Christians. Whatever.
Brett Ratner and Eddie Murphy.
You have the right to go topless.
Don’t forget that Mad Men‘s season finale is tomorrow night!
A reminder that those World Of Warcraft nerds are still fucking perverts.
One-way mirrors and social media “stalking.”
Of course one of the 33 Chilean miners was having an affair!
Hollywood needs to turn towards Warren Ellis and Grant Morrison.
The ballad of Mick and Keith.
Yesterday was 23 things and today it’ll be shorter, though not necessarily sweeter, with a mere five things…
Oh, that Nic Cage. Amazing and strange as usual. And totally an animal lover.
2. Molly Lambert’s piece about Tina Fey/Jon Hamm on This Recording today. It’s a wonderful, honed bit on comedians and characters and gender politics and objectification, and it’s brilliant. And aside from that, as she frequently is, so is Molly Lambert, who stands out amongst most internet writers for me in that she writes in quick bursts of sharp, insightful thought on a subject, but also survives in the long form where as so many other writers on the interwebz only seem to generate a few decent pull quotes to be linked to and reblogged ad nauseam. She tackles issues both old and new in a fresh way, in a smart way but one that’s also accessible to all the various levels of the hoi polloi, and she has that quality that you loathsomely envy: She writes in a way that feels like it’s resonating both with the thoughts you had on an issue, but are always worded better through her view on the matter, or, more honestly, she says the things you wish you were thinking/saying.
3. Praising Molly Lambert isn’t exactly a new thing, nor should it be, but the post about Jon Hamm/Tina Fey/Don Draper/Liz Lemon is really that good. And I love that it tackles how weird these characters are in so many ways, but refreshingly weird, but also that these are sex symbols for smart people, or for anyone with eyes, sure, but also for us sapiosexuals in the audience as well.
And she mentions something that I’ve never thought of before, but the idea that masculinity is basically a performance, not just between “bros,” I wouldn’t think, but in general. All the world’s a stage, I suppose, and all the men and women on that stage are players in a game of some sort. Especially those of us with the Y chromosome, which I feel. I mean, it’s not something I really considered before, though I kind of did, but now I really feel it. Never mind, that sounds stupid, but you get what I’m saying?
3A. Can we ever talk about just how fucking weird Jon Hamm the real life person seems? I kind of love the impression that I’ve gotten that he’s the exact opposite of Don Draper, not stupid (but more than a little dorky maybe)(but endearingly dorky, you know?), of course, but closer to his character on 30 Rock. Is Don Draper the ultimate vista to the wider landscape of manhood?
4. This article here from the BBC, about how scientists have made a breakthrough in “artificial life,” developing the world’s first synthetic living cell. I saw this at work today and shared it with this guy that comes in sometimes, my local atheist friend. He and I have bonded over the years over our hatred of intolerance towards scientific exploration and a favoring of antiquated notions like “organized religion” instead of advancement of all the wonderful aspects of the human race. This phenomenon reached something of a fever pitch during a particularly turbulent period in our country called “The Bush years.”
Anyway, so my atheist friend and I were talking about all of this as we tend to do and laughing and riffing on it and basically griping about how science (especially things dealing with like stem cells, for example) is held back or considered not interesting in America or, my favorite, the work of the Devil. We had a good laugh about that, talking about science as “the work of the Devil,” and because I have a vivid imagination, I literally imagined a guy who looks like this…
…in charge of a lab somewhere, ordering scientists around, approving budgets, and demanding more breakthroughs. “We’re trying to save them, but they refuse to see!” the Devil would say (as I said in my beast throaty demon voice), shaking his cloven hoof/fist angrily, and then they head into the break room to celebrate the birthday of one of the girls in the geophysics department, ha ha.
5. Today I had to make a nearly impossible decision, but also an incredibly mundane one. All the same, it was a tough one. It was the eternal debate of which movie to watch over my lunch break, and the choices came down to…
But I do like them both. I appreciate them both. And, well, I kind of hate both as well. But I put it to you, gentle readers, before I say which one I picked, I’m a bit curious, which would you have picked? Metaphorically, the lady or the tiger?