Virgin Snow.

As a last word on Alfred Hitchcock, I just wanted to share two quotes I saw just recently, the first being from Hitchcock himself…

“Blondes make the best victims. They’re like virgin snow that shows up the bloody footprints.”

…which is from an interview he did on TV in 1977.

And then I saw a quote from Ingrid Bergman…

“I’d like to know more about his relationships with women. No, on second thought, I wouldn’t.”

Fitting.

And then I saw this, which I love, and is wonderfully seasonal:

Good Evening!

by Grant Snider, from here.

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A boy’s best friend is his mother.

Good evening.

I saw Hitchcock today. Just a few quick thoughts…

1. The nicest thing you can say about this movie was that it was witty and clever, but it’s ultimately very light fare. So much of this movie is fantasy – and not just the fantasy and daydream sequences – but it’s trivial aspects, imagined insights into the life of the filmmaker and his wife. A documentary about the making of Psycho and this era of Hitchcock’s career, with speculation from more informed opinions would’ve probably proved to be more interesting.

2. This movie has gotten mild Oscar buzz, and I guess it’s there, but primarily for the production design. The story is pretty formulaic, not giving the actors much to do other than say their lines competently.

3. Speaking of which, James Darcy does a fairly accurate seeming impression of Anthony Perkins. It’s funny to me that they make Perkins’ homosexuality not so much an unofficial secret throughout Hollywood, but something that a careful observer can pick up from a distance.

Just imagine the meeting of ScarJo and Bernard Herrmann.

4. This is second movie that I can think of that introduced a character played by ScarJo by doing a close up of her ass.

5. That said, it’s a film, it’s fantasy. The people are better looking. Helen Mirren is obviously much more attractive than the real life Alma Reville, and Anthony Hopkins, even under all the make up, probably still has a much more expressive face than the real Alfred Hitchcock. Also, Danny Huston is a villain in everything, right? That’s good casting.

6. Watching the film, of course, lead me to thinking about Psycho again. And that lead me to thinking about Delillo’s last novel, Point Omega, which has a prologue and epilogue set at the 24 Hour Psycho art installation by Douglas Gordon, which was at the Museum Of Modern Art in 2006. The installation took Hitchcock’s 109 minute movie and stretches it and slows it down so that it plays out over the course of 24 hours. The shower scene, for example, which lasts 45 seconds, takes a whole hour to play out.

In the novel, the 24 Hour Psycho stuff is a fascinating sequence that really informs the rest of the novel and how it deals with the perceptions missed perceptions of time passing. This little section always stuck out with me:

“The less there was to see, the harder he looked, the more he saw. This was the point. To see what’s here, finally to look and to know you’re looking, to feel time passing, to be alive to what is happening in the smallest registers of motion.”

If you’d like to check out an interesting book that takes a nice look back at Psycho, I would highly recommend A Long Hard Look At Psycho by Raymond Durgnat. It would make a nice companion piece to a film like Hitchock, really digging deeper than the fluff.

7. Something the film touches on, but only ever so briefly, is that great art can come from disturbed minds and from desires and fantasies that can’t be beaten and broken down into a box labeled “normal.” Obviously Alfred Hitchcock had some curious interests and obsessions and some continuing issues with women. The same could be said for Woody Allen. And Roman Polanski. There could be a lot of accurately negative things said for them as human beings, as well as a lot of accurately positive things said about their art. You need to pick your medium of release, because dark fantasies don’t have to spill over into reality. Sometimes creativity is born in the shit, and art has to be separated from the artist. Like I’ve repeated in one of my favorite quotes, there’s a difference between make believe and real life.

The difference between make believe and real life.

8. Now, I kind of want to watch that recent  HBO movie with Toby Jones as Hitchcock and Sienna Miller as Tippi Hedren. Since it covers the making of The Birds and Marnie, it’ll be a kind of unofficial sequel to this movie. And it’ll get into some of the trivial parts of history that really interest us (and that Hitchcock only touches on sparingly): Hitch’s obsession and control over his leading ladies.

9. I’m not sure if this makes me really want to go see Bates Motel.

10. When you watch movies in December, and especially the second half of December, you kind of have to keep the idea of the Oscars always present in the back of your mind, right? I haven’t seen Zero Dark Thirty yet but I suspect that the big Oscar buzz will be between that and probably The Life Of Pi. On the Time Travel Murder Mystery podcast Benjie and I talk about the padding you have to do to come up with 10 films to nominate, because at least four and sometimes five of those films have no chance whatsoever. I suspect that Hitchcock is one of those films. It’s a cute movie about a great director and his under appreciated wife and a mid-life crisis (well, slightly later than “mid-life”) and some marital scrapes. And through that time there came about a truly great piece of cinema. Psycho, that is, not Hitchcock.