“I died so I could haunt you.”

I’m fascinated by these little glimpses into the making of Stars’ new album, The Five Ghosts, which is officially being released June 22, along with The Seance EP. Musically, the band sounds as brilliant as ever, but watching them work and play and laugh and argue and fight in the studio, it’s the kind of thing that just amazes me.

The new Broken Social Scene album was good, but it’s released seemed to kind of come and go with little fanfare. I think I expected more, possibly from the album, which was fine, but also from it’s listeners. It’s hard to explain. Metric was one of those bands that I loved until every moronic asshole started to proclaim their love for, and then my interest started to recede. And the music started to change a little too, as bands do tend to grow and their sounds begin to progress, and so do their listeners (one would hope). And, of course, there’s a natural feeling of resentment that seems to come when a younger audience comes to appreciate “your” music and you feel they don’t “get it,” but eventually you have to let it go. They get it in their own way and it’ll always be different from your way. Music belongs to everyone and it belongs to them differently.

So, as I grew and changed, what their music meant to me changed. Their last album, again, was fine and good, because they are an excellent band, but it probably didn’t leave me as over the moon as it did others.

And yet, Broken Social Scene, was different for me. The Canadian supergroup, which is something that sounds an awful lot like an oxymoron, was the great unifier. The ultimate indie living room party rock. Ryan Gosling could get some drinks and pick up two chicks at a bar set to “Stars And Sons” in Half Nelson while at the same time you and your friends are arguing about the tea party and Republicans and Obama and the oil spill set to “Handjobs For The Holidays.” The music didn’t let me down, but perhaps the potential for conversation did. Will we all sit at a dining room table someday, tapping our fingers along to “All To All” and chatting away our white whines and then smile as we meet the eyes of a pretty stranger across the room? One can only hope.

But somewhere along the way, as I said, I changed. My love for the music of Emily Haines changed and Amy Millan became my power animal. I could and should probably save talking about my appreciation of her music for another time, until we’re all on the same page. Let’s just say for now that I’m excited to see/hear her roar. I’ll leave you with one of my absolute favorite songs by Stars…

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